Critter sign number 3

Dusty’s dry goods was the last sign in this critter series. The desert tortoise is about the dustiest and driest thing I could think of and it seemed fitting for this sign. As with the others the critter would be added as a separate hand sculpt.

We would route this sign in two layers of 2″ thick. This would allow room to build a nice tortoise. I started with the background of the oval. I wanted it to be dished inwards. Since it is not a complete oval I needed to use a few tricks to make it the right shape. I first created a flat relief.

I then modified this relief using an oval mask and the dome tool.

 I then added the thin oval border outline by raising it slightly.

 The oval would be routed using an island fill while the outline of the sign would be an offset cut. This completed the first layer of the sign.

The top layer of the sign was next. I first created a flat relief.

The next step was to modify the relief by adding the lettering border.

The last step was to add the bevel letters. I used a base of 0.2″ and constant height.

This sign will also be cut from two layers of 2″ thick Precision Board but I put the laters together so we could see how the sign would look.

The good news is that my old compressor was fixed today AND the new one arrived as well. I’ll be hooking them up on Saturday and begin routing once more at last. Stay tuned…
-dan

Published with permission from precisionboard.blogspot.com. Source.

Critter sign 2

For the second critter sign I chose the apothecary store. This is what they called drug stores in the olden days. In the wild west some unsavory druggists sold ‘snake oil’ – a cure for whatever ailed you. The motor & pestal was also a universal symbol of the drug store. I added the rattle snake as our critter – just for fun.
When I made up the vectors I added a background oval behind the snake to make it stand our a little better.

The first step was to create the flat relief. I made it 0.8″ thick

The oval top was then dropped into this relief by using the subtract tool.

The lowest lettering border was then added to the base relief.

Then I added the next layer of lettering border.

The lettering was created using the bevel tool and I used the constant height option so the tops of the letters were all the same no matter how thick the lettering stroke.

With the body of the sign complete it was time to make the mortar and pestal. I first recreated the curves of the bowl.

I then created a mesh using the revolve tool.

 I created the vectors in the same fashion for the mortar and then created a mesh of that piece in the same fashion.

I then created a zero height relief and merged (highest) the meshed to it.

  

I then squished the bowl vertically to 3.8″ using the precision input tools. I made sure the proportional box was unchecked so it only altered the thickness of the piece.

Then I used the slice tool to create two slices that would each fit in a 2″ thick piece of Precision Board.

The sign will be routed in three layers but for the purpose of showing how it will look here’s a shot of the pieces stacked.

Next up is the final critter sign. Stay tuned…
-dan

Published with permission from precisionboard.blogspot.com. Source.

Critter sign number 1

We finally finished enough large pieces to remove them from the shop to make the way clear to take out our broken screw compressor. I loaded it into the truck and took it into the neighboring town for repair. They called me a few days later saying it was as good as new. I picked it up and plugged it in. I decided I would give it a couple of days running time to make sure everything was good before I ran a big file on the router. I didn’t want to risk it breaking down in the middle of a file. The sad news is the compressor only ran four hours before stopping once more. While the repair guys may have gotten the compressor running again they didn’t fix the source problem. So back into the truck it went but it didn’t go back to that repair shop. They won’t see me ever again. Instead I took it to a different shop, one I trusted to make a permanent repair.

So the stack of prepared routing files continues to mount.

Todays build is the first in a series of very fun signs. They serve no other purpose other than decoration – eye candy. The signs will go in the theme park project on the Western building facade above the porch roof.

Like in the rest of the park the signs will feature critters of all kinds. The first is for the center facade. The armadillo will be hand sculpted in a slightly cartoon style.

I created the vectors in Illustrator and imported them into EnRoute.

The sign background would be created as a series of layers with dimensional beveled lettering. The first step was to create a flat relief.

The base relief was then modified by adding a second layer which would act as a letter outline.

Then I selected the next smaller letter border and modified the base relief again.

The curlycues was the next modification to the base relief. I used the bevel tool with a 0.2 base.

The lettering was the last item to add. I wanted the bevel the edges of the letters but keep the top flat. To do this I again created a 0.2″ vertical edge by adding a base to the letters. I used the limit to height function to create a flat top on the letters. The bevel was created at 45 degrees.

 The file was now ready for tool pathing.

Hopefully the old compressor is fixed by the end of the week. The new one is also due any day so hopefully we are routing again soon.
-dan

Published with permission from precisionboard.blogspot.com. Source.

The Peacock Shows It’s Feathers! (High-Def CNC Cutting)

CLN of South Florida made this high-definition video of themselves CNC routing an extremely-detailed 3-dimensional peacock and lettering that came out great!

The purpose of this project was to showcase CLN’s state-of-the-art 300 Series 6′ x 12′ router and its capabilities when used in conjunction with ArtCam’s CNC software. The end result shows the high level of detail this combination produced when cutting into one of the highest Precision Board densities, PBLT-70.

The video provides an outstanding example of how to set up the material home and height on the CLN 300 Series CNC, along with step-by-step instructions for importing a design file into its onboard computer.

Sit back, relax and enjoy the high-definition cinematography!

 

That's Not Metal, It's All In The Finish!

Its hard to believe it’s not solid cast metal, but this is a custom finish applied to Precision Board Plus by the artisans at Synergy Sign & Graphics in Strasburg, OH!

This massive gearbox was built by Synergy as a showpiece for the front of their business as part of a recent Steampunk rebranding theme and also to show their 3-D and design capabilities.

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We asked Synergy Sign & Graphics owner Jim Dawson how he came up with this project and he responded: “Out of nowhere except my crazy head. I wanted to design something that reflected our recent Steampunk rebranding, and I came up with this idea.”

Thinking of a project is one thing, bringing it to life is another. “I started this project by planning out the contour layout for the gears and side beams in . Designing the project in AI is always our first step in our workflow of a project, as it is such a powerful drawing tool. Next, we imported the AI designs into our Enroute CNC software and put the CNC to work. We routed three sheets of Precision Board Plus PBLT-30 on our 5′ x 10′ MultiCAM 1000 and they came out absolutely perfect,” explains Dawson.

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After the pieces were cut, it was time to assemble the behemoth. The rolled chain was linked together with 1″ PVC pipes cut to size and PVC splice connectors for spacing to keep the chain aligned.

One of the major standout features of this project is the finish. After seeing the finished picture and looking close, it was apparent that every square inch of the gearbox was textured with an extreme amount of care.

Two coats of FSC-88WB Primer/Filler, undiluted, were hand-brushed on. Jim decided against diluting the primer, purposefully keeping it thick in order to simultaneously add texture while priming.

“After priming and texturing the entire gearbox, we added base coats of Modern Masters black and black metallic. Next we did 3 or 4 coats of a combination of a wipe on/wipe off glaze along with a lot of dry brushing. The aged look was completed with an application of Modern Masters Iron Reactive Paint, which is a 2-part process consisting of the paint and rust activator,” stated Dawson.

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Jim also used denatured alcohol on a rag to fine-tune the appearance of the rust in many of the low spots. “One of the coolest things about the Iron Paint is that the rust is continually activated by water if you don’t put a clear coat over it, which we didn’t. When it’s set up for good in front of our shop, it will continue to develop real rust, continually looking more aged,” says Jim.

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Jim plans to also create a fictional story documenting the history of the gearbox and its recovery from the Titanic. The story will be inscribed on a plaque attached to the front.

All in all, we would like to congratulate Jim and Synergy Sign & Graphics on this awesome project!

Be sure to check out more info about Synergy Sign & Graphics here.

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